LIGHT AND SHADOW


Architecture is the masterly, correct, and magnificent play of masses brought together in light. Our eyes are made to see forms in light: light and shade reveal these forms - Le Corbusier

In "Moods Are Not Accidents," Eliot Noyes reflected on photographs of his house, Noyes II, by the celebrated photographer George Silk: "The kinds of mood which George Silk's pictures show didn't turn up by chance. They were predicted, planned for and came about as an inevitable result of an architectural intent." The emotional experience of the home had been built into his design as carefully as the structure itself.

In designing the Ault House, Noyes made sunlight an active presence—constantly shifting, softening, and casting across the walls like a living work of art. This is felt not just in the hallway, which, given the fifty-foot skylight, floods with light during full moons and throws shadows across the floor and walls, but in every room and across the grounds. As the light shifts and the seasons turn, the house reveals new sides of itself - a quiet show put on for those who live there. We are still discovering the moods Noyes designed for us. No two days are ever quite the same.